FEARLESS
CAMERA CONVERTIBLE 35-50 50MM MAGAZINE
Fearless
Camera Company, 7160 Santa Monica Boulevard, Hollywood, California 1930 - 1931
Model AD-8, green-enameled 1,000-foot 50mm magazine for the Fearless Camera Company's Convertible 35-50
Camera. Built for 50mm widescreen,
the Fearless Convertible 35-50, could easily be adapted to 35mm or any film
gauge in between 35mm and 50mm, by changing out movements, sprockets, rollers
and magazines.
In 1930, the Fox Film Corporation and the Society of
Motion Picture Engineers collaborated on what may have been the only attempt at
a 50mm format. From my research so far,
it appears that no motion pictures were ever commercially released in 50mm.
According to A/V
A to Z, An Encyclopedic Dictionary of Media, Entertainment and other
Audiovisual Terms by Richard W. Kroon, 1964, Fearless Super Pictures
was the trade name for a widescreen process similar to VistaVision, developed
in 1929 by Captain Ralph G. Fear of the Cinema Equipment Company in
Hollywood. Captain Fear described his
process in the August, 1929 issue of American
Cinematographer. Like
VistaVision, Fearless Super Pictures were photographed and projected using
standard 35mm film, but with an image rotated 90 degrees to run along the strip
of the film. Also per this reference, Fearless Super-Film was the trade name
for a 65mm film camera (70mm release print) developed by Captain Fear of the
Cinema Equipment Company in Hollywood in 1930.
Ralph Gordon Fear was a design engineer for the Glenn L.
Martin Aircraft Company in Cleveland in 1918. He was also granted Patent No.
2,079,960 dated May 11, 1937 for a Combined Printing and Recording Machine
while residing in Los Angeles, California, and Patent No. 1,972,555 dated
September 4, 1934 for a Kinetographic Apparatus.
Captain Ralph G. Fear formed the Cinema Equipment Company
located at some point at 755 Seward Street in Hollywood, California. The company carried the Fearless brand of
accessories that included finder brackets and automatic clutches manufactured
to fit the Bell & Howell 2709 and the Mitchell Standard motion picture
cameras. By August, 1929, the name "Fearless Equipment Company",
located at 7160 Santa Monica Boulevard was appearing in advertisements and on
January 1, 1930, the company's name was changed to "The Fearless Camera
Company" of the same address. April, 1930 saw the roll out of the new
Fearless Silent Super-Film Camera. By
1934, Fearless company ads no longer appeared in The International Photographer, although their products
continued to be referenced under various supply house ads and in classified ads
for motion picture equipment.
By 1935, Motion Picture Camera Supply, Inc., 723 Seventh
Avenue, New York City, had become the Eastern Representative for Fearless
products.
From The International Photographer, July,
1929 Courtesy of The Online Books
Page
From The International Photographer, May,
1931 Courtesy of The Online Books
Page
From The International Photographer, May,
1931 Courtesy of The Online Books
Page
From The International Photographer, May,
1931 Courtesy of The Online Books
Page
From The International Photographer,
January, 1930 Courtesy of The
Online Books Page
From The International Photographer,
April, 1930 Courtesy of The Online
Books Page
Fear was granted Patent No. 2,007,468 dated July 9, 1935
for the magazine's design. Taking into
account Fox Film's experimentation in 1930 with 50mm, the magazine having
" PATS. PEND." on the maker's tag and an article in The International Photographer
featuring the Fearless Camera Convertible 35-50 dated May, 1931, indicates this
magazine's manufacture to be 1930 or 1931. It should be noted that Fearless'
magazine patent incorporated a top center-mounted bolt to secure the magazine
to the camera, similar to Bell & Howell's magazines. However, Fearless' production models
eliminated this feature, using a mount more similar to that of the Mitchell.
These green-enameled magazines, representing Fearless' earliest production,
were followed by black-enameled magazines:
Black-enameled
1,000' Fearless 65mm Super-Film Magazine
Based upon the few black-enameled magazines encountered,
they appear to have no Fearless maker's tag. Numerous Fearless magazines found
new life when Fearless Cameras were being reconfigured for use in Thomascolor
about 1942, and again when these same Fearless Cameras were once again being
reconfigured in the early 1950's by Mitchell Camera Corporation for
Todd-AO. These first (or prototype)
Todd-AO cameras used Fearless magazines, some of which have been found marked
"T-AO" for Todd-AO. These
Todd-AO marked versions were also equipped with "feet" like a pot
trivet, allowing them to be placed on a flat surface for loading/unloading
without the pulleys touching the surface. Later on, Mitchell Camera Corporation
would build the Todd-AO Mitchell BFC (Blimped Fox Camera), now utilizing 65mm
Mitchell-built magazines.
Although the exact number of Fearless 65mm Super-Film, or Fearless
Convertible 35-50 Cameras manufactured is unknown, relatively few were made
and only a handful survive in museums and private collections.
From The International Photographer,
June, 1930 Courtesy of The Online
Books Page
Source: U.S. Patent
and Trademark Office
Source: U.S.
Patent and Trademark Office
Source: U.S.
Patent and Trademark Office